A collector rarely regrets the price. What they regret is finding out, years later, that the history they were told was incomplete — a restoration nobody mentioned, an ownership gap between two dates, an attribution that softens under scrutiny.
This house is arranged around that failure. Every work is catalogued the day it arrives and given an inventory number that stays with it for life. Its ownership history is written down. Its condition is photographed and described, including the parts that are not flattering. Where the record has a gap, the gap is stated. All of it is shown to the buyer before a price is agreed, because a document produced after payment is not disclosure, it is defence.
We deal privately. There is no public catalogue and no salesroom. A work that does not sell here carries no record of having failed, which matters a great deal to anyone who may want to sell it again in five years.