ArtsBespoke

Tools

What size,
how high.

Enter your wall and see a starting size for a painting and the height to hang it, drawn to scale.

These are the starting points galleries and designers commonly use, worked out for your wall. They are a guide and not a rule, and a good work will sometimes break them.

To see a particular work on your own wall at true size, use the On Your Wall page.

See it on your wallArt for your home

Enter the width and height of your wall to begin.

Questions we are asked

AB / FAQ

What size painting should I hang above a sofa?

A common starting point is a work between two thirds and three quarters of the width of the sofa. It is a guide and not a rule: a strong single work can be smaller, and a large work can run wider.

How high should I hang a painting?

A common practice in galleries is to hang a work so that its centre is about 145 to 150 centimetres from the floor. Above furniture, many people leave a gap of about 15 to 25 centimetres between the furniture and the bottom edge of the work.

Can I see a work at its true size on my own wall?

Yes. The On Your Wall page lets you photograph your wall, mark one measurement you know, and see a work at true size. Nothing you upload leaves your device.

Speak to the house

Buying and private salesMr. Shyam Babu Naidu+91 70212 36700WhatsApp
Exhibitions and viewingsMr. Yashwant Naidu+91 98674 36486WhatsApp
Artists and curationMr. Prakash Bal Joshi+91 98690 14555WhatsApp
The FounderMs. Sonu Agarwal+91 75062 45556WhatsApp
The Chairman's officeMr. Ashwin Agarwal+91 93230 05554WhatsApp
Client AdvisoryMr. Arnav AgarwalGet in touchWhatsApp

Works from the house

AB / WORKS

Prakash Bal Joshi, Vermilion rising through ultramarine, 2024: a square abstract in ultramarine, violet and teal, with a vermilion form rising through the centre.

Abstract

Vermilion rising through ultramarine

Prakash Bal Joshi. A square field worked in ultramarine, violet and teal, with a vermilion form rising through the centre and two dark verticals standing before it.

A square Kalamkari style painting: a turquoise face in profile with a white vaishnava tilak; inside the contour Shri Krishna Ji plays the flute, coiled by a patterned serpent, with devotees at the base and green and orange panels at the sides.

Devotional & narrative

Krishna and the serpent in lapis and gold

Ramesh Gorjala. A turquoise face in profile, the tilak white against it, looks quietly out of the canvas.

Sanjeev Sonpimpare, Embrace in two blues: a square abstract of two rounded blue figures in an embrace, one deep ultramarine and one pale cornflower, beside a large black-and-white printed disc and orange diagonal stripes.

Abstract

Embrace in two blues

Sanjeev Sonpimpare. Two rounded figures, one in deep ultramarine and one in pale cornflower blue, hold each other in an embrace; a smaller dark-blue form nestles against the pale figure's sh.

Swati, A rain-washed window onto green: a portrait-format painting of a rain-streaked window looking out onto green trees and a misty park, with water drops in white and black.

Landscape, nature & trees

A rain-washed window onto green

Swati. A view through a rain-covered window: a misty park in grey-green, dark trees massing at the right, and a pale path running across the middle distance with a single small.

All works Abstract Figures Devotional Landscape Ravi Varma Press stones