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Works · AB/2026/0004

Prakash Bal Joshi, Vermilion rising through ultramarine, 2024: a square abstract in ultramarine, violet and teal, with a vermilion form rising through the centre.

Prakash Bal Joshi

Vermilion rising through ultramarine, 2024

Acrylic on canvas

A square field worked in ultramarine, violet and teal, with a vermilion form rising through the centre and two dark verticals standing before it. The brush is left visible throughout, dragged rather than blended. Joshi came to painting through the encouragement of K. H. Ara, who saw his sketches and put him on canvas, and he was elected Chairman of the Artists' Centre, Mumbai in 2024. Of that year he said that after five years working almost entirely in blue, other colours had entered his palette; this canvas sits exactly at that turn. Signed with the artist's monogram, lower right, and dated.

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The photo shoot

AB/2026/0004

The whole work, three close details cut from the photograph without alteration, and the work on a wall. Then the film that walks through all of it.

Close detail I of Vermilion rising through ultramarine
Detail I
Close detail II of Vermilion rising through ultramarine
Detail II
Close detail III of Vermilion rising through ultramarine
Detail III
Vermilion rising through ultramarine shown on a gallery wall at illustrative scale
On a wall. Illustrative scale: the true size is given on the record once measured.

On record

AB/2026/0004

Reference
AB/2026/0004
Artist
Prakash Bal Joshi
Title
Vermilion rising through ultramarine
Tradition
Contemporary abstract, gestural
Year
2024
Medium
Acrylic on canvas
Being recorded
Dimensions, provenance, condition: sent in writing, with photographs, when you request the full record.
Palette
ultramarine, violet, teal, vermilion

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AB/2026/0004

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Turn through the house

The other works, each once

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  • Kiran, A seated winged creature before a field of ink: a square abstract of white, black and saffron, with a pale seated winged creature and a red crest set against a deep brown-black mass.
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  • Chandra Morkonda, The golden tree and the white bull: a tall painting of a great tree with blue-and-gold leaves rising from a golden trunk and tangled roots, with a white lotus bank at the left, a white bull at the right and a crescent moon on a vermilion ground.
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  • Unattributed, Maa Durga Ji and her children before the arch: durga with many arms stands in the centre of an arched shrine, flanked by attendants, with Shri Ganesha Ji in red at the left and the lion beneath her, on brown paper.
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  • Unattributed, Shri Krishna Ji with the flute, in gold and vermilion: a square painting of a blue-green Shri Krishna Ji playing the flute, his body filled with small scenes of figures, a camel and trees, on a red and gold ground.
  • Prakash Bal Joshi, Cobalt currents, a gold seam, 2024: a landscape-format abstract in cobalt, ultramarine and pale blue, with diagonal sweeps of the brush and two seams of gold running from lower left to upper right.
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  • Thota Vaikuntam, Telangana lady, 2004: a seated woman with an olive-green face, red bindi, stacked gold bangles and a black sari dotted with white, on a cream ground.
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  • Sanjeev Sonpimpare, Embrace in two blues: a square abstract of two rounded blue figures in an embrace, one deep ultramarine and one pale cornflower, beside a large black-and-white printed disc and orange diagonal stripes.
  • Sanjeev Sonpimpare, Embrace beneath the banyan: a square painting of two blue figures in an embrace in front of a banyan with hanging roots, high-rise towers and low rooftops.
  • A square Kalamkari style painting: a turquoise face in profile with a white vaishnava tilak; inside the contour Shri Krishna Ji plays the flute, coiled by a patterned serpent, with devotees at the base and green and orange panels at the sides.
  • Unattributed, the conservatory with a flamingo and orchids: a tall panel of a glasshouse garden under palm fronds and hanging yellow blooms, with a pink flamingo on a pale path, pink and white orchids in the foreground, blue kingfishers and butterflies.
  • Chandra Morkonda, Four elephants and the green tree: a landscape-format painting of a great green tree with a gold trunk, four outlined elephants on a golden ground, a pink lotus and a second tree in pink and orange.
  • A square painting: a large vermilion half face in profile with a green eye, ringed by seated green and yellow deities, with a winged cow leaping over a brown and green chequerboard.
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  • Unattributed, Blue panels with a white ring: a landscape-format abstract of overlapping blue panels, from turquoise to navy, with patches of orange, ochre and white, and a small white ring near the top centre.
  • Kiran, A flame in the blue hour: a square abstract in deep ultramarine over a black ground, with a glowing white-and-gold flame form at the lower left and a small red-orange panel at the lower right.
  • Two stylised bulls face each other on a brown ground, their bodies filled with tiny scenes of Hindu deities, with gold and orange bands on horns, necks and legs.

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